Versatile mezzo-soprano Rose Naggar-Tremblay is commended for the richness of her voice and the intelligence of her interpretations.

Recent opera credits include the title role in Carmen (Sofia Opera and Ballet, October 2021), Dido in Dido and Aeneas (Chœur Vivace, 2019), Duchesse Della Volta in La fille du tambour-major (Opéra Bouffe du Québec, 2019), a premiere performance of Gabrielle in La nuit est ma femme (Théâtre de Longueil/CD Spectacles 2019–2020), Carmen (cover) in Carmen (Opéra de Montréal, 2019), Gertrude Stein in Twenty-Seven (Atelier lyrique de l’Opéra de Montréal, 2019), Giovanna in Rigoletto (Opéra de Montréal, 2018), Zora in Svadba, (Atelier lyrique de l’Opéra de Montréal, 2018) and the title role again in Carmen (Halifax Summer Opera Festival, 2017). She has appeared in concert the alto soloist in Handel’s Messiah (OPCM, 2019) and Vivaldi’s Dixit Dominus (I Musici, 2019), as a soloist in a concert of Mozart arias (Orchestre de l’Agora, 2019), as Anita in a concert version of West Side Story (Orchestre de la Francophonie, 2019), as the alto soloist in Bach’s cantatas BWV 7, BWV 21 and BWV 89 (Serenata at St. John’s, 2018–2019), Vivaldi’s Gloria (I coristi, 2018) and as a soloist in Concert autour de Semele (Festival Montréal baroque, 2018).

Repertoire Final

EDWARD ELGAR (1857-1934)
Sea Pictures
I. Sea Slumber Song
III. Sabbath Morning at Sea

JOHANN SEBASTIAN BACH (1685-1750)
Messe en si mineur : “Agnus Dei”

CAMILLE SAINT-SAËNS (1835-1921)
Samson et Dalila : “Mon Coeur s’ouvre à ta voix”

GIOACHINO ROSSINI (1792-1868)
L’Italienne à Alger : “Cruda sorte”

Final Round

Piano: Julien Leblanc

Repertoire Semifinal

ÉRIC CHAMPAGNE (Born in 1980) & ROSE NAGGAR-TREMBLAY (Born in 1992)
Healing, Song cycle

GUSTAV MAHLER (1860-1911)
Kindertotenlieder
III. Wenn dein Mütterlein
IV. Oft denk’ ich, sie sind nur ausgegangen

WOLFGANG AMADEUS MOZART (1756-1791)
Idomeneo, K. 366: “Il padre adorato”

GEORGES BIZET (1838-1875)
Carmen: “Séguedille”

Semifinal Round

Piano: Julien Leblanc